Oh, you know how hard it is to be wed. :)
Wednesday, February 06, 2008
Wednesday, December 12, 2007
Calling all Stellans! Help Mang Tero!
Calling all Stellans past and present! A member of our Stella Maris Family has fallen ill. Manong Tero our beloved (in my time, Cambridge) guard had a stroke and was discovered that he has brain tumor. He is in dire need of our help and we are all in the position to help.
There will be a fund raising gathering/ open mic on December 22, 2008, 6pm at Barko, Kalayaan Avenue, Quezon City. It is near the city hall. Tickets are sold at P150 each and all benefits will go to Mang Tero for his treatment. Please pass this on to your batchmates.
See Agnes Fondevilla’s blog for more updates and information.
Mang Tero is one of my favorite people in Stella Maris. I would remember every morning when I am almost always late I’d ask him “Nag-second bell na?” and he would reply “First bell pa lang. Takbo na!” and see me running wa-poise from the Cambridge gate to the high school building. He would also let us buy our afternoon snack of flying saucers in front of the school. He would also sometimes chismis to my Tita all my kalokohan in school that he knows (Tomboy daw ako? Haller? Heehee). Christmas time our family would give him gifts of chocolate. One time my dad gave him shoes. That’s how much we love him. 7 years out of Stella and all of my family still remembers him.
So please, please help our Manong Tero. If you don’t happen to be a Stellan, please still drop by at Barko on December 22. We hope to see a lot of people there!
Tuesday, December 11, 2007
Gun Show @ Megamall
These are some pictures from the Gun Show held at the Megatrade Hall last November 19-26. My uncle convinced me to check it out. I went there on the 25th and for 60 pesos as entrance fee, I got to touch and pose with all these guns. I saw some really weird modifications there such as a baby 12 GA with a plastic butt and a baby AK 47. Makes me wonder how stable will those things shoot especially the 12GA shotgun. My favorite guns are the baby M16 and the chromed Uzi. I remember the days when I was in high school and I wanted to enroll at the Philippine Military Academy. Ha ha.
Tuesday, October 23, 2007
First Try at Rebel 2000
These are my first attempts of using my brothers SLR. Expect ugly pictures. But I'm reading about photography and yes, I'm practicing my composition. I actually shelled out 2 rolls of 36 shots in Pangasinan last weekend. I'll show some of those in another post. The pictures below were taken last October 19 at the National Peasant Mobilization at CM Recto.
Flags
Speech (That's Lengua speaking actually. I was just too far while taking the shot.)
Youth group discussionWednesday, October 17, 2007
The Women of "Like Water for Chocolate"
I just want to post this because I'm quite proud of this paper when the rest of my classmates discussed about the romance in the novel. I had to retype this because I only have the original hard copy which I submitted to my professor. This post is slightly altered from the original paper to include my teacher's comments and corrections. Unfortunately, I forgot her name but Ma'am MZM(S?or L?) thank you for your interest in my paper and for the grade. ;)
By the way, 2 days ago was "International Rural Women's Day". This is also dedicated to the women in the countryside.
The novel "Like Water for Chocolate" has been dubbed as a feminist novel since its first release. Set in the middle of the Mexican Revolution (1910-1917 against Diaz and US imperialism) where workers, peasants and natives banded together under the leadership of Villa and Zapata to overthrow the dictator. The author used this setting to explore gender identity, more specifically the females by using the 3 sisters as protagonists, examining how the characters fall into their roles in the revolution, be it in the household (small scale) or in the battlefield (large scale) itself. In this paper, it is the three sisters, Rosaura, Tita and Gertrudis who will represent the women from social classes and how they participated in the small and large scale revolutions.
During the Mexican Revolution, the mode of production was mainly feudalism , thus the main source of income was land or ranches. The workforce was dominantly farmers. In a nutshell, social classes are divided thus: The Bourgeoisie (Compradors, Landlords and Petty), the working class and/or the peasantry. Historically, the Bourgeoisie has always oppressed the working and peasant classes.
A characteristic of landlords and the bourgeoisie is that own more than they consume, doing minimal work yet they have the largest income than the rest of the workforce. Rosaura is the representative of this class. When Mama Elena died, the ranch was left to her name. Nowhere in the book was it mentioned that Rosaura did any heavy work (aside from the preparation of spices for sausages which in fact, as my professor noted, Rosaura does for fun) compared to the other women in the house.
Another characteristic of the bourgeoisie is that they have an affinity for tradition. Tradition and culture is not really a constant object, but is dictated by the mode of production. The upper classes need to maintain the status quo in order to remain in power, thus, the use of tradition. Rosaura has these characteristics. She married his sister's lover because Mama Elena was adamant with the tradition. By allowing herself to be married to Pedro, she was in agreement with Mama Elena and the tradition. She took her sister's right to be with Pedro. She was supposed to apply this tradition even to her daughter Esperanza. The point of this tradition was to make life convenient to the mother at the expense of the daughter.
As a woman, Rosaura was exploiting herself (aside from Tita and Esperanza) subconsciously. Any reason fir marrying aside from love is a union bound to fail. Since Pedro loved Tita, the man she married will never see her as a partner in life. Pedro could never give Rosaura what she wants and deserves in a relationship.
Tita is the perfect example of the oppressed classes of society. Analyzing her situation in the household, she was more of a worker than a member of the family. She seems to do as much work as the servants in the ranch (i.e. Chancha and Nacha) yet not much appreciated (through income or otherwise).
Tradition Dictates that she should not marry because she was to take care of their mother until the day the latter dies. Her right to marry and to have a family is taken away by this tradition. She initially felt helpless against the status quo but she already shown resistance. Overtly, she questions the tradition. When objective and subjective conditions (treatment as a slave, separation from Pedro and the death of her nephew) were enough, she openly waged a revolution on her own by leaving Mama Elena.
The middle sister, Gertrudis, is the epitome of the liberated woman. Initially, she only found sexual liberation (through Tita's dish and being "kidnapped" by the revolutionary soldier). Afterwards she worked at a brothel and admitted that it was to "put out the overwhelming fire" and seems not to be ashamed of it. In the battlefield, true liberation. Women's liberation in the strict sense is the acquisition of equal political, social and economical rights as men.
In Mexican history, women played important roles in the revolution. Mexican women were directly involved and were known as Soldaderas, or the female soldiers and field supporters. It is also often that they engage in combat. There is no room for sexual discrimination in the revolution. The Mexican uprising was a cause of the contradictions between classes, and sexuality and gender cuts through classes. It was a fight of the ruling class and the oppressed. Gertrudis became a general in the revolution, working her way up the ranks as others do notwithstanding the female repression characteristic around the world and mode of production at that time. She may have been from any class but she left that former life to participate in the revolution with a specific goal. She became some source of inspiration and strength for Tita at one time or the other.
These women are not exclusive to Mexico to that era. More so, these kinds of women are more evident at this time when the crisis caused by imperialism affects so many countries. There are Roasauras who stand on a pedestal. There are many Titas who are exploited who are vacillating, often reluctant but still resist. And of course the number of Gertrudises is ever and exponentially rising because of repression, oppression and the chronic crisis imperialism upon us. They are made aware that the only way to free themselves from repression is to participate in the revolution of the classes. Now, the question left to the women of the modern world, are you Rosaura, Tita or Gertrudis?
By the way, 2 days ago was "International Rural Women's Day". This is also dedicated to the women in the countryside.
+++++++++
An Analysis of the Three Sisters in the novel "Like Water for Chocolate" as Representatives of Women from Different Social Classes
(Written for my Humanities I class in 2004)
(Written for my Humanities I class in 2004)
The novel "Like Water for Chocolate" has been dubbed as a feminist novel since its first release. Set in the middle of the Mexican Revolution (1910-1917 against Diaz and US imperialism) where workers, peasants and natives banded together under the leadership of Villa and Zapata to overthrow the dictator. The author used this setting to explore gender identity, more specifically the females by using the 3 sisters as protagonists, examining how the characters fall into their roles in the revolution, be it in the household (small scale) or in the battlefield (large scale) itself. In this paper, it is the three sisters, Rosaura, Tita and Gertrudis who will represent the women from social classes and how they participated in the small and large scale revolutions.
During the Mexican Revolution, the mode of production was mainly feudalism , thus the main source of income was land or ranches. The workforce was dominantly farmers. In a nutshell, social classes are divided thus: The Bourgeoisie (Compradors, Landlords and Petty), the working class and/or the peasantry. Historically, the Bourgeoisie has always oppressed the working and peasant classes.
A characteristic of landlords and the bourgeoisie is that own more than they consume, doing minimal work yet they have the largest income than the rest of the workforce. Rosaura is the representative of this class. When Mama Elena died, the ranch was left to her name. Nowhere in the book was it mentioned that Rosaura did any heavy work (aside from the preparation of spices for sausages which in fact, as my professor noted, Rosaura does for fun) compared to the other women in the house.
Another characteristic of the bourgeoisie is that they have an affinity for tradition. Tradition and culture is not really a constant object, but is dictated by the mode of production. The upper classes need to maintain the status quo in order to remain in power, thus, the use of tradition. Rosaura has these characteristics. She married his sister's lover because Mama Elena was adamant with the tradition. By allowing herself to be married to Pedro, she was in agreement with Mama Elena and the tradition. She took her sister's right to be with Pedro. She was supposed to apply this tradition even to her daughter Esperanza. The point of this tradition was to make life convenient to the mother at the expense of the daughter.
As a woman, Rosaura was exploiting herself (aside from Tita and Esperanza) subconsciously. Any reason fir marrying aside from love is a union bound to fail. Since Pedro loved Tita, the man she married will never see her as a partner in life. Pedro could never give Rosaura what she wants and deserves in a relationship.
Tita is the perfect example of the oppressed classes of society. Analyzing her situation in the household, she was more of a worker than a member of the family. She seems to do as much work as the servants in the ranch (i.e. Chancha and Nacha) yet not much appreciated (through income or otherwise).
Tradition Dictates that she should not marry because she was to take care of their mother until the day the latter dies. Her right to marry and to have a family is taken away by this tradition. She initially felt helpless against the status quo but she already shown resistance. Overtly, she questions the tradition. When objective and subjective conditions (treatment as a slave, separation from Pedro and the death of her nephew) were enough, she openly waged a revolution on her own by leaving Mama Elena.
The middle sister, Gertrudis, is the epitome of the liberated woman. Initially, she only found sexual liberation (through Tita's dish and being "kidnapped" by the revolutionary soldier). Afterwards she worked at a brothel and admitted that it was to "put out the overwhelming fire" and seems not to be ashamed of it. In the battlefield, true liberation. Women's liberation in the strict sense is the acquisition of equal political, social and economical rights as men.
In Mexican history, women played important roles in the revolution. Mexican women were directly involved and were known as Soldaderas, or the female soldiers and field supporters. It is also often that they engage in combat. There is no room for sexual discrimination in the revolution. The Mexican uprising was a cause of the contradictions between classes, and sexuality and gender cuts through classes. It was a fight of the ruling class and the oppressed. Gertrudis became a general in the revolution, working her way up the ranks as others do notwithstanding the female repression characteristic around the world and mode of production at that time. She may have been from any class but she left that former life to participate in the revolution with a specific goal. She became some source of inspiration and strength for Tita at one time or the other.
These women are not exclusive to Mexico to that era. More so, these kinds of women are more evident at this time when the crisis caused by imperialism affects so many countries. There are Roasauras who stand on a pedestal. There are many Titas who are exploited who are vacillating, often reluctant but still resist. And of course the number of Gertrudises is ever and exponentially rising because of repression, oppression and the chronic crisis imperialism upon us. They are made aware that the only way to free themselves from repression is to participate in the revolution of the classes. Now, the question left to the women of the modern world, are you Rosaura, Tita or Gertrudis?
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I just want to say that attending the Bloggers' Kapihan 2.0 was one of the best decisions I've made. It's so nice to meet the authors of blogs I read. :) Thank you for such a warm welcome from the bloggers. I'm looking forward to another Bloggers' Kapihan and meet more bloggers.
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